The principal Tlaxcalan fiefdom in 1519, with the remains of a temple built a century before, whose mural paintings show Tezcatlipoca on fire and other symbols of religious sacrifice, such as Xiuhcatl, or the fire serpent descending like a stream of blood.

The first museum dedicated to female monastic life during the seventeenth to twentieth centuries. The objects in the collection reflect a variety of customs and roles. There is a fine collection of paintings by renowned artists.

This most important and influential site of the Valley of Guadiana is related to the Chichimeca and coastal peoples of Mesoamerica. This museum reveals its rich, 1400-year history with displays on the Chalchihuite’s environment, religion and daily life.

The archeologist Jorge A. Acosta (1904-1975), discovered the great Atlantes of Tula and other finds. The museum recreates the ancient Tollan Xicocotitlan: with sculpture, ceramics, stelae, offerings and gods (Quetzañcoatl, Tecatlipoca) and the vast population, inheritors of Teotihuacan.

Women played a dominant role in the ceremonies of this important Totonac city, as can be seen from its numerous murals. The mural fragments are the museum’s most valued objects, as they show varied scenes from the life of this ancient settlement.

The peak of the Totonaca culture, with the most beautiful architecture of the Gulf Coast, a UNESCO World Heritage site. The museum, built by architect Teodoro Gonzaléz de León, shows vestiges of the city since the excavations of 1920, it also reconstructs the everyday life of this sophisticated culture.

A contemporary architectural project, respecting the natural setting, this museum was inaugurated recently and houses one of the most considerable collections of Maya art in the country, with local pieces as well as from other states, incorporated into the San Miguelito archeological zone.

This is where the Fire God, Aj Pakal Than, reigned in the 18th century AD, whose funeral offerings are exhibited, together with a collection of jewellery and other pieces made of shells, bone and stone from this great Maya city, built of clay bricks bearing extraordinary reliefs.

The central Tlahuica site, subordinate to the Mexica, who came with them from legendary Aztlan. The ceramics were very varied from the earliest times. At one stage they were influenced by Teotihuacan and latterly by Tenochtitlan. The most interesting exhibits are a sculpture of Xipe Totec, the flayed god and a temalacatl or sacrificial stone.

Restored in 2012, this site museum has exhibits of Olmec, Totonac and Huastec artefacts made from obsidian, stone and ceramic, as well as a collection of sixteenth-century European weapons, while also providing a military history of the mighty fort of San Juan de Ulúa.