
Museo Fuerte de San Juan de Ulúa
Restored in 2012, this site museum has exhibits of Olmec, Totonac and Huastec artefacts made from obsidian, stone and ceramic, as well as a collection of sixteenth-century European weapons, while also providing a military history of the mighty fort of San Juan de Ulúa.
The fort of San Juan de Ulúa is an iconic and historic monument of the city of Veracruz: it was in this same area that European and indigenous American cultures began to interact in earnest. The building is considered one of the finest examples of military construction, due to an architectural typology and design that, at the time of its construction, incorporated the latest principles and knowledge of defensive structures.
On the islet of Tecpan Tlayácac—“nose or protrusion of the Land of the Palace”—a shrine was built to honor the god Tezcatlipoca (“smoking mirror”), a Mexica deity and warrior god of darkness. On June 24, 1518—the day of Saint John the Baptist—a Spanish expeditionary force under the command of Juan de Grijalva arrived at this islet to find a temple constructed by the inhabitants of Culúa, hence the name San Juan de Ulúa. The encounter with these inhabitants marked one of the earliest interactions between the two worlds. In 1519, Hernán Cortés reached the coast of Veracruz and began setting up camp opposite the islet. He also founded the settlement of Villa Rica de la Vera Cruz on April 21 of that same year, establishing the first “cabildo” or town council in mainland North America. This site, therefore, marks the spot where the Conquest of Mexico began.
In 1535, New Spain’s first viceroy, Don Antonio de Mendoza, brought with him authorization from Charles I to begin building the port and its defensive constructions on the islet of San Juan de Ulúa. The earliest structures consisted of a wall with mooring rings for attaching the ships and protecting them from the strong northern winds, as well as a tower the height of a man. In 1568 the pirates John Hawkins and Francis Drake arrived at the port of Ulúa from the Caribbean; they entered the bay opposite the islet and moored their vessels, weighed down with the treasures looted from the Caribbean ports.
At the order of Spanish monarch Philip II, in 1590 work began on the design and construction of the “Indian” or Caribbean system of defenses, including San Juan de Ulúa. From that point on, the fort’s typology would be transformed until it became a permanent fortification, an irregularly shaped bastion, which was initially used as a port during the sixteenth and the first half of the seventeenth century, while also a defense for the city of Veracruz, a customs building, a warehouse, and the only dock authorized by the Spanish crown for port activities.
In the nineteenth and the first half of the twentieth century, the facilities were used as the country’s arsenal and penitentiary—its location and architecture were ideally suited for a jail. On July 2, 1915, the president at the time, Venustiano Carranza, decreed that the fort should no longer be used as a prison, though it still remained in the hands of the Ministry of War and the Navy. It was only in 1961 that a presidential order was signed to entrust the building to the National Institute of Anthropology and History (INAH), and over time the fort became one of Mexico’s most historic landmarks open to the public.
A project was launched in 1980 to restore the fort, and this long-term program has gradually borne fruit; 2012 saw the completion of one of the most important phases: the restoration of the Plaza de Armas and the opening of the new site museum in the building known as the Casa del Gobernador, located on the Plaza’s eastern side.
The San Juan de Ulúa site museum has a display of the state of Veracruz’s most important collections of archeological and historical artefacts. The exhibition design has two themes: the Gulf of Mexico area’s archeology, and the history of the fort of San Juan de Ulúa itself. In the archeological exhibition space, the “Gulf Cultures” section consists of a permanent collection of 266 pre-Hispanic items revealing 3,000 years of cultural development of ancient civilizations, from the Olmecs to the Totonacs and the Huastecs. Displays include obsidian and ceramic exhibits, as well as parts of a ballgame court.
The museum describes the fate of the iconic military construction, from the arrival of the Spaniards in 1518, led by Juan Grijalva, to the islet’s transformation for the fort’s construction and the raids launched by pirates on the port of Veracruz during the vice-regal period. Also open to visitors are the cells, corridors, dungeons and courtyards; there is also a collection of sixteenth to nineteenth-century weapons, including suits of armor and a mooring ring.
San Pedro Bastion and Its Tower
Built in several stages, this bastion rises on the southwest front of the fortress. Its cannons exchanged fire with those of the Concepción Bastion in the walled city of Veracruz, protecting the navigation channel and port access.
Built in several stages, this bastion rises on the southwest front of the fortress. Its cannons exchanged fire with those of the Concepción Bastion in the walled city of Veracruz, protecting the navigation channel and port access. Inside, it features vaulted spaces that once served as storerooms and barracks for the Ulúa garrison. A circular tower was later added atop the parapet, where a lighthouse—manufactured in London and composed of a system of lamps and lenses—was installed. It operated with a clockwork mechanism and emitted an intermittent light to guide ships.
San Fernando Cut
Located within the fortress, this defensive work was built to protect the north curtain wall and bordered one side of the main parade ground, or Plaza de Armas.
Located within the fortress, this defensive work was built to protect the north curtain wall and bordered one side of the main parade ground, or Plaza de Armas. It was part of a set of fortifications constructed to strengthen the fortress in anticipation of a possible English attack—a threat that loomed after the British captured Havana in 1762. Later, during the period when the National Arsenal was based in Ulúa, this space housed the foundry workshops. Today, the cut and its arched structure are part of the museum’s points of interest.
Throughout its history, the San Juan de Ulúa Fortress Museum served many roles, including that of a prison. Even though the prison and the National Arsenal operated simultaneously in the monument, the area known as the San José Ravelin is especially noted for having been used as a jail.
Ring Wall
This wall is one of the earliest constructions at Ulúa, built to protect ships and provide secure mooring. Vessels were tied to its thirty-two bronze rings, keeping them steady against strong northern winds.
This wall is one of the earliest constructions at Ulúa, built to protect ships and provide secure mooring. Vessels were tied to its thirty-two bronze rings, keeping them steady against strong northern winds.
Made of coral stone masonry, this defensive front faces the city and is flanked by the San Pedro Bastion and its tower, as well as the San Crispín Bastion with its elevated gun platform. Both were equipped with artillery for port defense.
This was the site where goods arriving from Spain were unloaded, and products from New Spain and the Philippines were shipped out. Today, the Sea Gate—one of the fortress’s most iconic features—is located along this wall.
Governor’s House Museum
The Governor’s House and its interior spaces served as the residence of the fortress commander. The ground floor features four bomb-proof vaults—designed to withstand cannon fire—which were used as storerooms.
The Governor’s House and its interior spaces served as the residence of the fortress commander. The ground floor features four bomb-proof vaults—designed to withstand cannon fire—which were used as storerooms. This building also served as a presidential residence during the time of First Chief of Government Venustiano Carranza. The current façade, featuring an eclectic architectural style, was built in the early 20th century.
Today, the building houses the site museum of the fortress.
Plaza de Armas (Main Parade Ground)
The Plaza de Armas is the central courtyard where troops would assemble and perform military drills. During the 17th century, this area contained food and weapon stores, a chapel, and a small orchard.
The Plaza de Armas is the central courtyard where troops would assemble and perform military drills. During the 17th century, this area contained food and weapon stores, a chapel, and a small orchard.
San José Ravelin
This advanced defensive structure features a central redoubt with three gunpowder magazines. Around its outer perimeter are vaulted spaces that once served as storage rooms, troop quarters, and two cisterns. It also includes three cells or dungeons.
This advanced defensive structure features a central redoubt with three gunpowder magazines. Around its outer perimeter are vaulted spaces that once served as storage rooms, troop quarters, and two cisterns. It also includes three cells or dungeons.
Cannons were installed on the upper level to defend the seafront. During the presidency of Porfirio Díaz, this area was converted into a prison. Access to it is via a bridge known as the “Bridge of the Last Sigh,” named for the grim fate of many who entered: due to the unsanitary and overcrowded conditions, few prisoners made it out alive.
- DirecciónPorfirio Castro Cruzporfirio_castro@inah.gob.mx+52 (229) 939 13 30Visitas guiadasMaría Magdalena Gil Peraltamagdalena_gil@inah.gob.mx
Moneda e historia
2013



