The antechamber served as a waiting and meeting area before entering the main areas of the house and was used to receive people outside the family, especially those who had business dealings with the owner of the house.

Its location, close to the entrance, ensured that the privacy of the home remained intact. Today, it retains period furniture and pieces that evoke the social and political life of the early 20th century.

On display in this space are:

• A model of the Lighthouse Building in Veracruz, seat of Carranza's government between 1914 and 1915.
• A scale replica of the statue located in front of that building.
• A pastel portrait of Carranza with Félix F. Palavicini, by Gerardo Murillo, Dr. Atl.

The living room was the main space for socializing and receiving acquaintances, friends, and family. It was connected to the antechamber to expand the area during receptions or parties. It retains the original furniture of the Stampa family, evoking the elegance of Porfirian and early 20th-century residences and showcasing the domestic and social environment of that era.

This space displays:

• A portrait of Venustiano Carranza, by the painter Ignacio Rosas
• Louis XV-style furniture, including armchairs, tables, and lamps, all covered in gold leaf
• A coffee table with representations of nymphs and a wind-up clock on the false fireplace, with an Art Nouveau-style case
• Decorative and handcrafted objects that reflect the refined taste of the period

The dining room was used for special lunches and dinners for the Carranza family, while everyday meals were eaten in the kitchen. It still has its original early 20th-century hardwood floors and furniture, reflecting the elegance and taste for European style of Porfirian residences. The sectioned table could be lengthened or shortened depending on the number of guests, adapting to the size of family or social gatherings.

Also on display are tableware, glassware, and decorative objects that allow visitors to appreciate the protocol and customs of the time. Of particular note is the counterweight clock, capable of chiming to imitate the sounds of Westminster's Big Ben, Saint Michael, or Whittington, reflecting the influence of European culture on home décor.

This space offers visitors a detailed glimpse into the social and family life of the Mexican elite in the historical context of the Porfiriato and the Mexican Revolution.

The kitchen seeks to recreate its original appearance during the Carranza family's residence, showcasing everyday life and domestic practices in the early 20th century. It preserves a hood, two stoves, clay pots, kitchen utensils, and a wooden refrigerator, the predecessor of modern gas refrigerators, which illustrate technological evolution in the home.

The tile floor and original furniture provide insight into the organization of the space, culinary habits, and the importance of domestic work in family life. Through these objects, visitors can appreciate how food was prepared and how the kitchen connected to the dining room and other areas of the house.

The lobby welcomes visitors with an elegant early 20th-century design, characterized by wooden floors and decorative stained glass windows.

This is the entrance hall and distribution area leading to the different rooms, a feature typical of upper-class European residences that was adopted in Mexico in the early 20th century. This space displays pieces that pay tribute to Venustiano Carranza and the Constituent Congress of 1917.

• Portrait of Carranza, by Gerardo Murillo, Dr. Atl
• Equestrian portrait of Carranza, painted by Salvador Guzmán, constituent deputy and president of the Association of Constituent Deputies
• Portrait of Carranza drawn by cartoonist Ernesto García Cabral, El Chango Cabral
• Pencil portrait of the First Chief, by engraver Raúl Anguiano

The bedroom was occupied by General Cándido Aguilar and Virginia Carranza Salinas, who shared this space during their visits to the family residence. Aguilar, governor of Veracruz, spent the week in that state, while on weekends he would meet up with his wife, her parents, and his sister, Julia Carranza.

The room retains its original furniture, such as the double bed, wardrobes, and dressing table, and displays photographs of the wedding and other personal items that reflect the family's private life, routine, and lifestyle. The room offers visitors an intimate glimpse into the domestic life and family life of the Mexican elite in the early 20th century.

The second bedroom was occupied by Julia Carranza, Venustiano Carranza's eldest unmarried daughter. This space reflects Julia's private life, preserving furniture, personal objects, and details that reveal her routine and tastes. Of particular note is an embroidered landscape painting, her own work, which reflects her love of handicrafts.

Among the historical objects linked to the family, this space offers visitors an insight into Julia's personal life and artistic sensibility.

The third bedroom was occupied by Venustiano Carranza and still contains the furniture and personal items that give us a glimpse into his private life. The room includes the bed, wardrobes, dressing table, and decorative details that reflect the style and elegance of early 20th-century residences.

Among the objects on display are some of his personal clothing, the famous “Mundos” travel trunk, nicknamed for its large capacity, and a painting in which the president appears with his horses Bayo and Monarca.

Family photographs are also preserved, including his parents, sisters, brothers, wife, and daughters, as well as a set of washbasins that were used to wash his face and hands every morning at a time when most houses did not have running water. The bedroom also includes a chamber pot, used during the night, as bathrooms were usually located outside.

This space offers visitors an intimate glimpse into the routine, rest, and daily life of the First Chief of the Constitutionalist Revolution, combining functionality, personal habits, and the refined taste of the era.

The office-library was where Venustiano Carranza spent most of his time attending to government affairs, studying, and reading. It houses his 833 personal books, many of them bearing his initials “V. C.” on the spine or dedicated by their authors, reflecting his interest in culture and history.

Personal and diplomatic objects are on display, such as swords and sabers that may have belonged to Carranza or his father. There are also portraits and lithographs of figures he admired, such as Miguel Hidalgo y Costilla, Francisco I. Madero, George Washington, Benito Juárez, and Napoleon Bonaparte. Among the decorative elements, the paperweights and inkwells with Napoleonic emblems stand out, reflecting his admiration for Bonaparte.

In addition, the office contains a facsimile of a Saint Chamond cannonball, placed on top of the safe, and four panoplies: two holding weapons and two more opposite them, which include commemorative plaques from the closing of the 1917 Constituent Congress and the Carranza Doctrine, symbolizing the union of the president's political and military work.

The historic bathroom retains its original features: sink, faucets, and decorative tiles. Here you can see the sanitary innovations of the early 20th century and appreciate what an old bathroom with a bathtub and shower looked like, with different options for daily hygiene. This space allows you to appreciate the design and functionality of the sanitary facilities in the residences of Porfirian high society.

A bidet is also on display, which was a symbol of concern for intimate hygiene. The medicine cabinet contains personal hygiene items such as brushes, razors, and razor blades. Of particular note is a bottle of anti-catarrhal powder containing cocaine chloride, a compound used at the time as a stimulant to relieve the symptoms of colds and nasal congestion.

The Carranza, el hombre historical room offers visitors an intimate glimpse into the personal and family life of the First Chief of the Constitutionalist Army and President of Mexico. Unlike other spaces that focus on his role as a statesman and legislator, this room seeks to show the individual behind the historical figure, highlighting his daily life, his tastes, and his close circle.

Among the pieces housed here are Venustiano Carranza's personal belongings, such as his hat, slippers, cane, and glasses, symbols that refer to his public image and the sobriety that characterized him.

Family photographs and portraits are also on display, providing insight into the emotional environment that accompanied him throughout his political career. Visitors can also view part of his wardrobe, including formal suits, as well as documents and letters that reveal more intimate aspects of his life.

The layout of this room seeks to humanize the historical figure and bring the public closer to a Carranza who was not only the architect of the 1917 Constitution, but also a man of simple habits, with deep convictions and a strong attachment to his family.

In this way, this space complements the vision of the politician with that of the human being, allowing us to understand the integrity and complexity of the man who led one of the most decisive periods in national history.

The Carranza, Revolutionary historical room is dedicated to showcasing the career of the First Chief of the Constitutionalist Army in the context of the Mexican Revolution. In this space, visitors can appreciate Carranza's steadfastness as a political and military leader, as well as his role in defending constitutionalism in the face of the ruptures and conflicts that marked the revolutionary process.

Among the pieces on display here are his military uniform and the saber that accompanied him during the constitutionalist campaigns, objects that evoke his role as commander of troops and his capacity for political and strategic organization. Also on display are coins, banknotes, telegrams, and original documents that attest to the leadership of the revolutionary movement, as well as photographs of Carranza with the main constitutionalist generals that illustrate the alliances and tensions of the time.

Emphasis is placed on Carranza's evolution, from his time as governor of Coahuila to his role as leader of a national cause that culminated in the promulgation of the 1917 Constitution. Each piece on display allows us to understand that, behind the statesman, there was also a revolutionary convinced that legality should be the basis for rebuilding the country.