
Ocotelulco
The remains of the most important Tlaxcalan fiefdom at the time of the arrival of the Spanish. In the remains of a small temple we can see an altar with polychrome decoration, an area of flint stones surrounding a large burning brazier, upon which lies the figure of Tezcatlipoca.
The Ocotelulco archeological site, in the state of Tlaxcala, is found in the suburb of the same name, more precisely between the suburbs of San Francisco Ocotelulco, Axotla del Río and San Miguel Tlamahuaco, on the edge of the capital of Tlaxcala.
Ocotelulco was an urban center of the Late Postclassic period, established around the twelfth century AD. García Cook and Merino Carrión have confirmed that it formed part of the Tlaxcala culture, which was made up of a Teochichimec group who arrived in the Puebla-Tlaxcala valley, where they encountered other groups, most notably the remnants of the Olmec-Xicalanca, who were suppressed by the newcomers. It is said that one of the hallmarks of this group of Teochichimecs was its bellicose ideology, which found many cultural expressions.
The art of Ocotelulco in Tlaxcala gives the impression that at the time it was painted, the Tlaxcalans engaged in a great deal of cultural interchange with the northwest of Oaxaca, since their style is very similar to the Codex Borgia attributed to the Mixtecs.
During site exploratory work in 1990 a small temple or teocalli was discovered on the terrace contiguous to the ecclesiastical building in the suburb of San Francisco Ocotelulco. From this, three stages of construction were identified, the second consisting of a stuccoed stairway, while the majority of the third stage was destroyed as a consequence of the arrival of the Spanish. The remains of the first, and oldest, stage correspond to a small ceremonial precinct with a finely polished stucco floor, edged by the xalnene stone foundations of the platform it covered. Two polychrome substructures were found underneath, a bench and a central altar attached to the middle section of the former.
- Dirección del Centro INAHJosé Vicente De La Rosa Herrerajose_delarosa@inah.gob.mx+52 (246) 416 0000Administración del Centro INAHOmar González Ramírezomar_ramirez@inah.gob.mx+52 (246) 462 9375, ext. 37802ResponsableJosé Eduardo Contreras Martínezeduardo_contreras@inah.gob.mx+52 (246) 144 5832
Banca y altar
The bench has a 47 cm high cant in which there are figures representing skulls, monkeys, hearts and circles, whose polychrome is basically composed of red, blue, yellow and black tones, the latter being the background color on which all these decorative elements are found, which in turn are delim
The bench has a 47 cm high cant in which there are figures representing skulls, monkeys, hearts and circles, whose polychrome is basically composed of red, blue, yellow and black tones, the latter being the background color on which all these decorative elements are found, which in turn are delimited in their upper and lower sectors by black lines arranged as cords.
The altar has the form of a trapezoidal prism and presents in its east, west and south sides polychrome designs among which eight “Xiuhcoatl” or fire serpents can be distinguished, in descending position and supported on red stripes that can be associated with jets of blood. All these designs are on black and white circles and stripes. The most important scene is in the middle section of the south side where an area is framed by bloody flint knives and in the center a large animated brazier on which lies the god “Black flint knife” which is an invocation of Tezcatlipoca. Above the image of the god there is a dart and a flag that are symbols of sacrifice.



