• El Tajín

  • El Tajín

    El Tajín
    INAH
  • El Tajín

    Panorámica del Juego de pelota norte y plaza
    Héctor Montaño Morales / INAH-Dirección de Medios de Comunicación
  • El Tajín

    Gran Plaza del Arroyo
    Melitón Tapia / INAH-Dirección de Medios de Comunicación
  • El Tajín

    Edificio de los nichos con el cerro como eje
    Benjamin Blaisot / INAH
  • El Tajín

    El Tajín
    Mauricio Marat / INAH-Dirección de Medios de Comunicación
  • El Tajín

    El Tajín
    Melitón Tapia / INAH-Dirección de Medios de Comunicación
  • El Tajín

    El Tajín
    Mauricio Marat / INAH-Dirección de Medios de Comunicación
  • El Tajín

    El Tajín
    Daniel Ponce / INAH-Dirección de Medios de Comunicación
  • El Tajín

    El Tajín
    Héctor Montaño Morales / INAH-Dirección de Medios de Comunicación
  • El Tajín

    El Tajín
    INAH
  • El Tajín

    Panorámica de El Tajín
    Héctor Montaño Morales / INAH-Dirección de Medios de Comunicación
  • El Tajín

    Otro Juego de pelota
    INAH
  • El Tajín

    El Tajín
    Mauricio Marat / INAH-Dirección de Medios de Comunicación

Visit us

El Tajín

Opening hours
Monday to Sunday from 09:00 to 18:00 h - Last access 17:00 h
Fee
$100.00
Buy tickets
Adress

Federal Highway No. 120 Km 130, Congregación Tajín C.P. 93479 Municipality of Papantla, Veracruz.

Access

From the city of Veracruz, take Federal Highway 180 towards Poza Rica, Veracruz.

From Xalapa, take Federal Highway 140D, Mexico 131 and Mexico 129 in the direction of Canoas-Martinez de la Torre, Vicente Guerrero.

From Mexico City, take the Mexico-Pachuca Highway in the direction of Ecatepec de Morelos. Continue on Federal Highway 132D in the direction of Canoas-Martinez de la Torre.

Services
Accessibility
Medical assistance
Library
Lockers
Parking
Cloakroom
Restaurant
Toilets
Shop
Guided tours
Important
  • Extra fee for professional cameras
  • Discount for Mexican students and teachers
  • Discount for senior Mexican citizens
  • No smoking
  • No entry with food
  • Pets not allowed

El Tajín

El Tajín

El Tajín

A majestic site with wide open spaces, numerous ballcourts and bas-reliefs, and particularly impressive for the Pyramid of the Niches, with its 365 niches, El Tajín has long been a source of fascination to specialists in Mesoamerican calendar systems and world view.


Listed as a UNESCO World Heritage Site in 1992, El Tajín was under the tutelage of the god Tajín, meaning “thunder” or “powerful smoke” in the Totonac language. This figure’s links to severe meteorological phenomena led him to being identified with the “Hurricane God” and the location became known as the city of the Hurricane God.

This sacred center on the Gulf Coast reached its peak during the Postclassic (800-1100 AD), when more than five iconic buildings were erected, each one in harmony with its immediate backdrop, the Cerro del Oriente hill. One of the most important of these structures is the Pirámide de los Nichos ("Pyramid of the Niches"), where a solar event takes place from March 17 to 25 as part of the “quarter-year” cycle (which occurs in March, June, September and December). At that moment the sun’s rays can be observed descending the building, illuminating everything, while the rest of the site remains shrouded in darkness.

In around the year 1150 AD, during a time of climate change known as the Medieval Warm Period, a flood caused the city to be abandoned.

El Tajín’s architecture, in common with almost all of its sculptural forms, represents duality. One example is the “talud-tablero” (slope-panel) construction style, with a central niche and a cornice. The result is an image that will look the same whether seen front on or upside down, with the niche or the shell motif in the center. This is also a symbol of (balanced) movement. It would seem that the ancient inhabitants of El Tajín wished to leave a message within these mirror images: movement representing harmony and balance, mainly between man and nature.

Twenty-one ballgame courts have so far been found at El Tajín. We can distinguish two types of court, based on the scenes depicted on their walls: the competitive game, and the ritualistic version played as part of a divine invocation for balance and continued sustenance for humankind. The complete ritual is portrayed on the South Ballcourt, depicting the petition to the gods and also the offering made to them; this ceremony consisted of giving blood—man’s most treasured possession—to the four winds. This act of respect for nature took place on very special dates or at changes of era. 

Two principal gods watched over the ancient city, and these also represent duality: Quetzalcoatl, the sun god; and Tlaloc, the god of rain. This again shows the balance between the universe and life on earth, including all living beings (plants, animals, hills and springs) in the surroundings; everything had a soul, and the people would ask permission to use things, based on their belief in order and respectfulness: animals should not be hunted unless for consumption, trees only cut down to be used.


 


 

La Gran Xicalcoliuqui

La Gran Xicalcoliuqui

It is a long wall whose angles draw a silhouette that resembles an enormous fretwork. In the interior space, which covers approximately one hectare, several buildings and even a couple of ball courts were built.

Edificio C

Edificio C

Building C of Tajín Chico is decorated with the stepped fretwork typical of El Tajín. It is thought that these symbols, which resemble sectioned snails, were linked to the cult of Venus and the Feathered Serpent.

Complejo del Arroyo

Complejo del Arroyo

It is the oldest part of the settlement, since it is located in the south and the city grew in the opposite direction. This complex owes its name to the two streams that border it and that converge in the lower part until they flow into the Tlahuanapa stream.

Juego de Pelota Sur

Juego de Pelota Sur

El Tajin is the archaeological site that has more ball games in Mesoamerica, with about 20 of them, such as the one located south of the Pyramid of the Niches and next to Building 5, where you can see the “God Tajin” (stone sculpture stele type, found at the foot of Building 5 facing east, where

Pirámide de los Nichos o Edificio 1

It is the best known building on the site. Since its discovery in the last decades of the eighteenth century, it has attracted attention for the quality and aesthetics of its architecture. It has 365 niches, which gives it a symbolic value associated with the solar calendar.

Edificio A

Edificio A

Its façade has a false staircase with alfardas, which resembles the staircase of the main façade of the Pyramid of the Niches.

Juego de Pelota del Edificio XI

Juego de Pelota del Edificio XI

The particularity of this court is that one of the buildings that delimit it is decorated with mural paintings.

Complejo de los Nichos

Complejo de los Nichos

This complex marks the symbolic and religious importance that establishes it as the center of the ancient city, with the Building of the Niches. Its area is formed by 14 monumental structures, five of which are ball games and nine monumental buildings.

Juegos de Pelota

Juegos de Pelota

El Tajín is one of the cities of ancient Mexico that has 20 ball courts of different dimensions and characteristics: open to the public or restricted, and of the ceremonial or competition type.

Complejo de Tajín Chico

Complejo de Tajín Chico

This architectural complex is to the north of the Pyramid of the Niches, and is made up of an elevated terrace where several administrative and residential buildings are deployed, where meetings were held, perhaps of the ruling elite.

Edificio de las Columnas

Edificio de las Columnas

The Complex of the Columns has 3 emblematic buildings that form great symbols, as is the case of the Great North Ball Court, the Great Greca or Xicalcoliuhqui and the Set of Columns.

Edificio 5

Edificio 5

Its main facade is oriented to the west. Two annexes were attached to the original construction (one of which has been called Building 2), to adapt its location to that of the Pyramid of the Niches.


  • Edificio de los nichos con el cerro como eje
    INAH Benjamin Blaisot
  • El Tajín
    INAH-Dirección de Medios de Comunicación Mauricio Marat
  • El Tajín
    INAH-Dirección de Medios de Comunicación Mauricio Marat
  • El Tajín
    INAH-Dirección de Medios de Comunicación Mauricio Marat
  • Otro Juego de pelota
    INAH
  • El Tajín
    INAH-Dirección de Medios de Comunicación Melitón Tapia
  • Panorámica de El Tajín
    INAH-Dirección de Medios de Comunicación Héctor Montaño Morales
  • Panorámica del Juego de pelota norte y plaza
    INAH-Dirección de Medios de Comunicación Héctor Montaño Morales
  • El Tajín
    INAH-Dirección de Medios de Comunicación Héctor Montaño Morales
  • El Tajín
    INAH
  • El Tajín
    INAH
  • El Tajín
    INAH-Dirección de Medios de Comunicación Daniel Ponce
  • Gran Plaza del Arroyo
    INAH-Dirección de Medios de Comunicación Melitón Tapia

    Contacto

    cinah_veracruz@inah.gob.mx
    +52 (229) 934 5282
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