
Museo Histórico de Acapulco Fuerte de San Diego
One of the best restored and preserved ancient fortresses in Mexico holds the history of the port of Acapulco: its original population, the age of sail, the Manila Galleons, the first trade with China, the missionary expeditions, attacks by pirates, and the siege in the War of Independence.
An overview of the rich history of Acapulco in the emblematic San Diego Fortress. It is the most important historical monument in the port of Acapulco, unique in Mexico due to the classic “star” design of Marquis de Vauban, military architect to Louis XIV, and is typical of Spanish forts after the enthronement of the Bourbons following the War of Spanish Succession (1701-1715). With its singular geometric design in the shape of a pentagon or five-pointed star, the building fulfilled the Spanish crown’s policy to maintain a defensive structure for its possessions on the Pacific coast. The fort was intended to protect the galleons which landed in Acapulco at the end of their “return trip” journey from Manila, carrying valuable goods from China (silk, porcelain, brocade) and other places in the East. This trade lasted for 250 years.
Since 1986, thanks to joint work between the INAH, the National and State “Adopt a Work of Art” Boards, and the Association of Friends of the Fuerte de San Diego, this huge building has housed the Acapulco History Museum. With 14 permanent exhibition galleries and one temporary exhibition space, it provides the people of Guerrero and of Mexico in general with an overview of their history. It offers visitors a summary of the evolution of the port: the first settlers, the conquest of the Southern Seas (the Pacific Ocean), trade with the East, pirates, the spread of the Christian faith and the War of Independence. The independence leader José María Morelos y Pavón, following the struggle to capture the site (he lay siege to the fort for two years and seven months, between 1811 and 1813), authorized a banquet in the Fort of San Diego, and in the kitchen and dining hall he raised the toast: “Long live Spain, yes, but a sister Spain and not one that dominates America!”
The pieces on show are both archeological (from Guerrero’s Mezcala culture) and historical in character. They belong to the museum’s own collection and are enriched with objects loaned from other institutions, such as the National History Museum and the National Museum of the Viceroyalty, as well as with personal items, such as the valuable collection of antiques dealer Rodrigo Rivero Lake.
One noteworthy object in the museum is an opulent carriage known as the “royal carriage,” as well as some figureheads from the eighteenth century, a large Chinese porcelain jar also from the eighteenth century, as well as silk and embroidery, an old silk kimono and Chinese coins from ancient dynasties, to mention but a few. Among the most important and iconic objects exhibited in the museum is the galleon San Pedro de Cardeña. It is a European model from the eighteenth century, made of wood, metal, fabric and tin thread, both assembled and carved, colored brown, black, ochre and gold and measures 90 inches in height, 100 inches in length and 109 inches in width. In the absence of technical drawings, miniatures like this were built to construct the galleons.
Collections of Chinese porcelain from different periods also play an important role. These are mainly from the eighteenth and nineteenth centuries and some is from the Qing dynasty. There are also plates, platters and china cups from the Indies Companies, a generic name by which all original porcelain from the Far East is recognized, manufactured in China since ancient times. Huge quantities of this very fine crockery arrived in Mexico thanks to the Manila Galleon.
The Fuerte de San Diego is the most important maritime fortresses on Mexico’s Pacific coast. It is located in a reef, in the current district of Petaquillas. Its construction in 1616 was overseen by the engineer Adrián Boot, of Dutch origin (from then Spanish Flanders). He gave it the name of San Diego in honor of the patron saint of the 13th Viceroy of New Spain (1612-1621), Diego Fernández de Córdoba, Marquis of Guadalcázar. The bastions around the wall were given the names “King,” “Prince,” “Duke,” “Marquis,” and “Guadalcázar.” In 1776 to 1778, following a strong earthquake which seriously damaged the port, it was renovated by the engineer Miguel Constanzó (based on the design of engineer Ramón Panón), who rebuilt the fortress with five bastions and surrounded by a moat. The reconstruction work was finished in 1783. It had room for two thousand soldiers with provisions and drinking water all year round, and was supplied with 63 long distance cannons. Later, it became a monastery, hospital and prison. In 1933, President Abelardo Rodríguez declared it to be a national monument, in 1959 it hosted the Worldwide Cinema Review and from April 24, 1986, it has been the headquarters of the Acapulco History Museum.
Military Architecture
This section reflects the Spanish Crown’s defensive policies and the architectural features of the Fort of San Diego.
This section reflects the Spanish Crown’s defensive policies and the architectural features of the Fort of San Diego.
Conquest of the South Seas (Pacific Ocean)
This section highlights the importance of New Spain in the expansion of the Spanish Empire into new territories such as the Philippines.
This section highlights the importance of New Spain in the expansion of the Spanish Empire into new territories such as the Philippines.
New Spain played a crucial role in the conquest of the South Seas. The expeditions departed from its ports, the ships were built in its shipyards, and the crews included mestizos. Without the adventurous spirit, insight, and dedication of the sailors, captains, soldiers, and religious men from New Spain—who were often accompanied by Indigenous allies—these maritime feats of the 16th to 18th centuries would not have been possible. Yet, many lives were lost during the arduous transpacific and transatlantic voyages.
Hernán Cortés, eager for new conquests, offered his services to Emperor Charles V to explore the Pacific Ocean, recently charted by the Portuguese. He ordered shipyards built along the coast of Guerrero and organized five expeditions between 1527 and 1539.
Early Settlers
This section presents the pre-Hispanic settlements of Acapulco and the ethnic groups that lived in the region at the time of the Spanish Conquest.
This section presents the pre-Hispanic settlements of Acapulco and the ethnic groups that lived in the region at the time of the Spanish Conquest.
In the 16th century, the Acapulco region was inhabited by various Indigenous groups. Among the most prominent were the Yopes and Tepuztecos. Each group was governed by local rulers, forming a network of semi-independent communities. These groups maintained different relationships, including trade partnerships, military alliances, and shared customs, which together shaped a distinct cultural region.
Navigation
This section emphasizes the importance of the discovery of the Acapulco–Manila–Acapulco route.
This section emphasizes the importance of the discovery of the Acapulco–Manila–Acapulco route.
From the 14th century onward, the sea became the primary means of communication between peoples. The exploration of the Pacific culminated with Urdaneta’s discovery of the "tornaviaje" (return route) in 1565, which opened the Acapulco–Manila–Acapulco route and connected New Spain to the wealth of the East.
Trade I
This exhibit showcases the commercial exchange with the Philippines, particularly porcelain and silk.
This exhibit showcases the commercial exchange with the Philippines, particularly porcelain and silk.
The voyage of the Manila Galleon to Acapulco carried not only goods, but also a wealth of cultural influences. Eastern fashions were reflected in clothing—such as embroidered silk shawls—as well as furniture and decorative items, bearing witness to a time when the boundaries of New Spain stretched all the way to China.
Trade II
Acapulco was the gateway for goods and cultural influences from several continents—a crossroads of races and peoples, home to the famed Nao de China, also known as the Manila Galleon, and its legendary trade fairs. The museum preserves the highlights of this rich history.
Acapulco was the gateway for goods and cultural influences from several continents—a crossroads of races and peoples, home to the famed Nao de China, also known as the Manila Galleon, and its legendary trade fairs. The museum preserves the highlights of this rich history.
Piracy
By the early 16th century, Spain had amassed a vast empire, arousing the envy of other European powers. The American coasts were highly vulnerable to piracy; as a result, cities like Acapulco, San Blas, Veracruz, Pánuco (Tampico), and Campeche were often raided and partially burned.
By the early 16th century, Spain had amassed a vast empire, arousing the envy of other European powers. The American coasts were highly vulnerable to piracy; as a result, cities like Acapulco, San Blas, Veracruz, Pánuco (Tampico), and Campeche were often raided and partially burned.
Fort’s Kitchen
Soldiers and officers stationed at the Fort of San Diego experienced a unique blend of cultures through food and its preparation.
Soldiers and officers stationed at the Fort of San Diego experienced a unique blend of cultures through food and its preparation.
This kitchen merged Spanish culinary traditions—based on pork sausages and preserved meats—with the emerging cuisine of Guerrero, which featured turkey meat, green pozole from Chilapa, and regional maize dishes such as "picaditas" and square "gorditas". This fusion of flavors was enriched by prized Asian spices unloaded in Acapulco, including pepper, cinnamon, and cloves. Local seafood like snook, shrimp, and clams added their distinctive tastes and aromas, along with the vibrant colors and flavors of tropical fruits—golden papayas, green limes, and ripe mangoes.
Colonial recipes often combined ingredients such as saffron, guajillo chilies, garlic, and "epazote"; squash blossoms with pork backbone; potatoes with cheese; and chocolate with coffee. These dishes evoke images of carts and hopeful women bringing their goods to the fort—of daily connections between Acapulco and the garrison that faced the sea. Most importantly, they reflect a culture formed and sustained through something as meaningful and universal as food.
Fort’s Chapel
Maritime fortresses typically reserved space for worship. These chapels, like churches, were dedicated to celestial figures.
Maritime fortresses typically reserved space for worship. These chapels, like churches, were dedicated to celestial figures.
The chapel at the Fort of San Diego was dedicated to the Virgin of the Immaculate Conception, who also lent her name to one of the fort’s outer bastions. The Spanish Crown actively sought to spread the Catholic faith in its territories, and every military enterprise also served as an instrument of evangelization.
This exhibit seeks to recreate the appearance and objects of the chapel as it would have been in the early 19th century, near the end of the colonial era. The arrangement reflects the way ritual items were placed in this sacred space.
Ends of the Empire
This room presents the story of transculturation—a fusion of two cultures that blended over time to create a new one: Filipino culture.
This room presents the story of transculturation—a fusion of two cultures that blended over time to create a new one: Filipino culture.
Miguel López de Legazpi conquered and colonized the archipelago previously named the Islands of San Lázaro by Ferdinand Magellan, and later the Philippines by Ruy López de Villalobos in honor of King Philip II. Legazpi’s enterprise was unique in the expansion of the Spanish Empire: the Philippines was the only territory in the East colonized in the manner of the Americas. Its political and economic ties were not with Spain directly, but with New Spain. The 250 years during which New Spain administered the Philippines left a lasting impact on its society, culture, and worldview.
Independence
At the start of the War of Independence, José María Morelos was instructed by Miguel Hidalgo y Costilla to spread the rebellion throughout southern Mexico, with his most important mission being the capture of Acapulco and the Fort of San Diego.
At the start of the War of Independence, José María Morelos was instructed by Miguel Hidalgo y Costilla to spread the rebellion throughout southern Mexico, with his most important mission being the capture of Acapulco and the Fort of San Diego.
In February 1813, Morelos set out from Oaxaca with his army toward Acapulco, where insurgent Julián Ávila had already been threatening the area from the nearby Veladero hill. Morelos headed to the Costa Chica region with light artillery and a well-chosen force. The assault on the port and its fortress was a critical move for the independence cause.
For several months, insurgents and royalists engaged in fierce artillery battles, and the siege became a source of great suffering—marked by heat, hunger, and disease. On August 19, 1813, after six months of combat, the Spanish forces surrendered, and Captain Pedro Antonio Vélez raised the white flag over the fort. Thus, Morelos fulfilled the mission entrusted to him by Hidalgo.
Contemporary Acapulco
International Film Festival Showcase.
Held in the port of Acapulco from 1958 to 1968, these festivals aimed to showcase some of the best films from around the world. The sixth edition took place at the Fort of San Diego from November 24 to December 7, 1963.
International Film Festival Showcase.
Held in the port of Acapulco from 1958 to 1968, these festivals aimed to showcase some of the best films from around the world. The sixth edition took place at the Fort of San Diego from November 24 to December 7, 1963.
These parapets were built for the fort’s defense against enemy attacks.
Bastion
A four-sided fortification that projects from the corners of the fort’s walls to allow for defensive fire in multiple directions.
A four-sided fortification that projects from the corners of the fort’s walls to allow for defensive fire in multiple directions.
Gun Emplacement
A space between battlements along the wall, designed for mounting and aiming cannons.
A space between battlements along the wall, designed for mounting and aiming cannons.
Moat and Bridge
The moat served as a defensive barrier, while the bridge allowed movement across obstacles.
The moat served as a defensive barrier, while the bridge allowed movement across obstacles.
Central open space used for military drills and formations.
Gate and Drawbridge
Main entrance to the fort, designed for controlled access and fortified defense.
Main entrance to the fort, designed for controlled access and fortified defense.
An elevated open area offering views and serving military or ceremonial functions.
- DirecciónLaura García Lascuraín Vargaslaura_garcialascurain@inah.gob.mx+01 (744) 482 38 28








