• Museo de Arqueología Maya, Fuerte de San Miguel

    Entrada Museo de Arqueología Maya, Fuerte de San Miguel
    INAH-Centro INAH Campeche
  • Museo de Arqueología Maya, Fuerte de San Miguel

    Museo de Arqueología Maya, Fuerte de San Miguel
    INAH-Centro INAH Campeche
  • Museo de Arqueología Maya, Fuerte de San Miguel

    Museo de Arqueología Maya, Fuerte de San Miguel
    INAH-Centro INAH Campeche
  • Museo de Arqueología Maya, Fuerte de San Miguel

    Museo de Arqueología Maya
    INAH-Centro INAH Campeche
  • Museo de Arqueología Maya, Fuerte de San Miguel

    Museo de Arqueología Maya, Fuerte de San Miguel

    Museo de Arqueología Maya, Fuerte de San Miguel
    INAH-Centro INAH Campeche
  • Museo de Arqueología Maya, Fuerte de San Miguel

    Museo de Arqueología Maya
    INAH-Centro INAH Campeche
  • Museo de Arqueología Maya, Fuerte de San Miguel

    Zaguan Museo de Arqueología Maya, Fuerte de San Miguel
    INAH-Centro INAH Campeche
  • Museo de Arqueología Maya, Fuerte de San Miguel

    Museo de Arqueología Maya, Fuerte de San Miguel
    INAH-Centro INAH Campeche
  • Museo de Arqueología Maya, Fuerte de San Miguel

    Foso Museo de Arqueología Maya, Fuerte de San Miguel
    INAH-Centro INAH Campeche
  • Museo de Arqueología Maya, Fuerte de San Miguel

    Fachada Museo de Arqueología Maya, Fuerte de San Miguel
    INAH-Centro INAH Campeche

Visit us

Museo de Arqueología Maya, Fuerte de San Miguel

Opening hours
Tuesday to Sunday from 08:00 to 17:00 h
Fee
$75.00
Adress

Escénica Avenue, no number
Buenavista neighborhood, Zip Code 24039
San Francisco de Campeche, Campeche, Mexico

Services
Parking
Toilets
Shop
Important
  • Sundays free for mexican citizens
  • Free entrance for Mexicans under 13 years old
  • Free entrance for Mexican students and teachers
  • Free entrance for Mexican senior citizens
  • No smoking
  • No entry with food
  • Pets not allowed

Museo de Arqueología Maya, Fuerte de San Miguel

Museo de Arqueología Maya, Fuerte de San Miguel

Logo Museo de Arqueología Maya
Museo de Arqueología Maya, Fuerte de San Miguel

In one of the mightiest forts of the vice-royal period, dating from the late eighteenth century, this museum is now home to two unique collections: the funerary jade masks of Calakmul, and the funerary ceramic figures of Jaina. In addition, there are some remarkable Mayan stone sculptures. The architecture and splendid collections of the Fuerte de San Miguel were among the main reasons why the city of Campeche was listed by the UNESCO as a World Heritage Site in 1999.


The Maya Archeological Museum on the site of the Fuerte de San Miguel is a seventeenth-century building, forming part of [Campeche’s] defense system that consisted of two hilltop forts and four batteries on the coast. This construction was specified as a reason for the city becoming a UNESCO World Heritage Site as a “Fortified Historic City” in 1999.

In 1963, the building was restored to become a museum of weaponry and seamanship; in 1978 its collection was replaced by the displays of the Museum of Mayan Archeology. A refurbishment in 1999 renewed the exhibition design and the collection was expanded to include objects from various archeological sites across the state.

There are two collections: one consists of jade funerary masks from the tombs of the Rulers of Calakmul, the other is a display of funerary figurines from the island of Jaina. Other important items include a pot with an iguana-shaped lid, hinting at a rich history of religious ideas expressed iconographically, and an earthenware pot with a lid in the form of a black panther’s head or a night sun, both discovered at the Becán archeological site. The stone drum sculpture, featuring the image of a queen, comes from the site of Edzná or “House of the Itzaes”.

The fortification of New Spain’s coastlines have a long history. The Bourbon kings of France, Spain and Naples with Sicily (the southern half of the Italian peninsula) sealed a series of “family pacts” in the eighteenth century which led them to engage in, or stir up, onerous wars, including the Seven Years’ War (1756-1763), which led to the Spanish Empire losing Florida and being forced to recognize the British right to establishing an outpost in modern-day Belize.

As a result, the Yucatán Peninsula—which, like Florida, “closed off” the Gulf of Mexico to trade—found itself in a precarious position; by the mid-eighteenth century the port of Campeche had already been attacked by English pirates, and the Spanish galleons that carried New Spain’s silver and Peruvian gold, along with many other goods—including products from Asia that had come via Acapulco—were regularly plundered by English and Dutch pirates. The Spanish government then decided to equip the coasts of New Spain with a series of forts, as part of a plan drawn up by the infantry brigadier Agustín Crame, and this system included the Fuerte de San Miguel in Campeche on a hill called La Eminencia, to the southwest of the city. This fort was eventually completed in 1779, together with the coastal batteries of San Luis and San Fernando, boasting artillery that made it very difficult for enemy invaders to disembark. The works were supervised by the king’s deputy, Don Leandro Poblaciones.

Later abandoned, following Mexico’s Independence from Spain the Ministry of War took over responsibility for the fort, and its restoration under the INAH’s supervision began in 1963. Two years later it opened as a museum, and in 1999 it received additions to its collections from various parts of the state of Campeche.


 

  • Encargado
    Jonathan Miguel García González
    miguel_garciaglz@inah.gob.mx
Sala El Mundo maya

The Maya World

This gallery presents the geographical location of the cities from which the museum’s collection originates, along with a historical overview of the development of Maya culture and some objects that reflect the physical features of the Maya people of the Yucatán Peninsula.

Sala El entorno natural

The Natural Environment

Covering nearly 138,000 km², the geography of the Yucatán Peninsula is characterized by flat landscapes made of soft limestone, except along the coasts and in the southern part. A series of small elevations, known as the Puuc hills, crosses the region.

Sala De la aldea a la ciudad

From Village to City

This gallery features pieces related to the development of Maya architecture during the Late Classic period (600–800 CE), taking as a reference the ancient city of Xcalumkin, located in the Puuc region, known for its exceptional carved stone sculpture.

Sala Jaina, la casa en el agua

Jaina, the House on the Water

This gallery invites visitors to explore the ritual and funerary life of the Maya people through objects found in burial contexts on an artificial island built off the coast of Campeche.

Sala Calakmul, trascender a la muerte

Calakmul: Transcending Death

This gallery features a representation of the tomb of the divine lord Fire Claw or Jaguar Claw, along with the original rich funerary offerings, which include a jadeite funerary mask, earspools, and necklaces made of the same material, as well as pearls and Pacific spondylus shells.

Sala El orden del universo

The Order of the Universe

This gallery exhibits black ceramics typical of Calakmul, with lids depicting animals and mythical figures such as the king vulture, the peccary, or the god Mam.

Sala Conocimientos científicos

Scientific Knowledge

A basic explanation is offered about the Tzolk’in (ritual calendar) and the Haab’ (solar cycle), systems of time measurement that allowed for the development of the Long Count, whose beginning is marked by a mythical event and accounts for a calendar known as the 13 Baktuns.

Sala Estructura social

Social Structure

This gallery addresses the social stratification of Maya society and the warrior theocracy that fueled the development of Maya culture through the capture of prisoners, used both for the construction of large cities and for the sacrifice of noble captives as offerings to the gods.

Sala La élite

The Elite

Social hierarchy was closely tied to Maya cosmology. The highest lineages, linked to the gods, held the divine right to rule over commoners.

Sala Guerra y territorio

War and Territory

Warfare played a vital role among the Maya as a means to maintain territory and publicly legitimize political power. It also served as a tool for subjugating populations in order to control resources and demand tribute.

Adarve y merlones

Parapet and Merlons

This wide rooftop space allowed for the movement of cannons and troops. It offers a panoramic view of the sea and part of the city. The merlons are the broad, reinforced battlements between which cannons could be positioned.

Camino sinuoso y glacis

Winding Path and Glacis

Glacis are man-made ascending slopes that lead up to the outer walls of a fort. Their purpose was to expose potential attackers, making them easier targets. The winding path serves a similar defensive function, guiding movement toward the entrances while leaving invaders vulnerable.

Foso

Moat

A deep trench surrounding a military fortress or castle, the moat served as the first line of defense. The side facing the interior of the fortress is called the escarp, while the outer wall facing the enemy is known as the counterscarp.

Garitón

Watchtower (Garitón)

These small projecting towers located at the corners of the fortress walls were equipped with loopholes, allowing defenders to fire in multiple directions.

Patio con el pozo del aljibe

Courtyard with Cistern Well

The museum includes a square parade ground with a cistern well at its center. The well’s stone curb still collects rainwater to this day.

Contacto

museos.camp@inah.gob.mx
+52 (981) 816 9136, ext. 138036

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