Museo de Sitio de Cantona
A new museum displaying one of the most ancient urban settlements: the most extensive and populous in Mesoamerica and a great exporter of obsidian. It has numerous intricate streets, plazas and walls, many ballcourts and a religion which extolled self-sacrifice.
At the Cantona Site Museum we can see the results of more than 20 years of archeological work, which has resulted in theories about everyday life and the world view of the society which built and lived in this city.
The selection of finds from many seasons of excavation includes: the bones of animals eaten as food, and in some cases given as offerings, architectural features adorning some of the city’s buildings, and various implements used in daily life and rituals such as projectile tips and knives. Other items include grinding stones, great pots for grain and water storage, smaller pots and patojos (foot shaped receptacles) with signs of use in the preparation of food as well as tools used for preparing ixtle fiber. Visitors can also see musical instruments, green stone and shell ornaments and human remains found in burials.
A space was set aside for a site museum when the archeological site opened to the public in 1994, but there were no finds yet to display. The existence of a collection of objects taken from the Cantona site and kept in the town of Tepeyahualco was known about. It was in the keeping of the family of Juventino Limón, who many years previous to the arrival of INAH had carried out his own excavations of the site. The result was a “collection” which he displayed in the living room of his house, despite the fact it had never been properly inventoried by INAH. The archeological project decided not to ask for this collection and to leave the building of the museum until later on.
Each year since the opening of the site, the archeological project with its team of specialists directed by Ángel García Cook has continued to work seasons on site and over time it has rescued an immense number of pieces made from different materials, including ceramics, stone, obsidian and the remains of bone.
As a result the need for a museum at the archeological site was discussed again in 2002, and at the same time it was determined that Cantona required the basic infrastructure to run the site properly, such as a road, electrical power, water, site security, a discrete area for the services unit and a materials store. The ultimate objective was to build a site museum.
The architectural plan consists of two single-story buildings separated by a corridor, one for the exhibition galleries and the other for the administrative offices.
The City
This section presents the geographical location and chronological development of Cantona's inhabitants, their social customs, and architectural characteristics, which contrast with those of other Mesoamerican cities.
This section presents the geographical location and chronological development of Cantona's inhabitants, their social customs, and architectural characteristics, which contrast with those of other Mesoamerican cities.
Obsidian Exploitation
This section explores Cantona's basic economic activities, particularly the manufacturing processes of lithic artifacts, highlighting the importance of obsidian as a raw material for the production of tools and objects.
This section explores Cantona's basic economic activities, particularly the manufacturing processes of lithic artifacts, highlighting the importance of obsidian as a raw material for the production of tools and objects. It also discusses Cantona’s control over obsidian trade along the Central Highlands–Gulf corridor—an element that weakened and contributed to the fall of Teotihuacan. The section also reveals Cantona’s cultural exchange with other Mesoamerican regions through trade routes.
This theme includes the following subtopics:
- The Cult: Presents religious symbolism through the explanation of the rituals performed and the cultural context in which they occurred.
- Ritual Practices: Describes religious ceremonies and related ritual activities such as self-sacrifice, ritual sacrifices, the ballgame, as well as cranial deformation and mutilation.
- Funerary Rites: Highlights their importance as a manifestation of Cantona's worldview, and their association with elements such as polished stone tools, shell ornaments, braziers, incense burners, miniatures, ritually “killed” objects, ceremonial ceramics, tableware, negative decoration, cremation, cannibalism, and the use of the human body, among others.
- AdministraciónDavid Roberto Cuevas Pastranadavid_cuevas@inah.gob.mx+52 (276) 111 67 58Servicios EducativosClemente Gómez Fernándezclemengfer@hotmail.com+52 (222) 192 9350TaquillaAngélica Miñón de Cristóbalangelica_minon@inah.gob.mx+52 (276) 111 67 58







